President Barack Obama said Saturday that the new Smithsonian museum devoted to African-American history elevates the often-overlooked impact of black Americans and will help others better understand the breadth of the American story.
“This national museum helps to tell a richer and fuller story of who we are,” Obama, the first African-American president, said at the National Museum of African-American History and Culture.
“By knowing this other story we better understand ourselves and each other. It binds us together. It reaffirms that all of us are America, that African-American history is not somehow separate from our larger American story,” he added. “It is central to the American story.”
Saturday’s opening ceremony for the museum also was attended by civil rights icon Rep. John Lewis, former Presidents George W. Bush and Bill Clinton and Chief Justice John Roberts. Thousands are expected to have descended on the National Mall this weekend to celebrate the museum’s opening.
Calling it an “act of patriotism” to understand African-American history and the struggles of all Americans, Obama said “a great nation doesn’t shy away from the truth.”
“We’re not a burden on America or a stain on America or an object of shame and pity for America. We are America,” Obama said. “And that’s what this museum explains.”
“Hopefully, this museum makes us talk to each other and listen to each other and see each other,” he added.
Obama also said the museum can provide context to the current national debate on the relationship between law enforcement and black communities that recently made headlines following the police shooting deaths of black men in Tulsa, Oklahoma, and Charlotte, North Carolina.
“Perhaps it can help a white visitor understand the pain and anger of demonstrators in places like Ferguson (Missouri) and Charlotte. But it can also help black visitors appreciate the fact that not only is this younger generation carrying on traditions of the past, but within the white communities across the nation, we see the sincerity of law enforcement officers and officials who, in fits and starts, are struggling to understand and trying to do the right thing,” he said.
“It reminds us that routine discrimination and Jim Crow aren’t ancient history. It’s just a blink in the eye of history,” Obama continued.
Star-studded event
Saturday’s event included musical performances by Stevie Wonder, Patti LaBelle and Denyce Graves, as well as appearances by Robert De Niro and Angela Bassett, who read the words of black poets and historians.
The effort to bring this museum to life began decades ago but was finally set in motion in 2003 when Bush signed a bill creating it. Ground was broken in February 2012.
The Smithsonian says the museum is the only one in the US exclusively focused on African-American life, history and culture, but organizers say it is also meant to capture the story of all Americans.
One of those who have worked for years to see this museum come to life is educator and historian Lonnie Bunch, founding director for the museum.
Asked what does it mean to him to see it finally open, he said, “It means that finally the African-American story on the National Mall is accessible to everybody, and in many ways it means that my ancestors are smiling,” he told CNN. “This is framed in a way that this is everybody’s story. It is not a black people’s story. It is a story of America.”
Slavery and freedom at focus
Officials said the chronicling of slavery and freedom are the centerpiece of the museum. That exhibit contains such items as a slave cabin from South Carolina, a bill of sale for a 16-year-old girl for $600, shackles used on slaves and a copy of the Emancipation Proclamation.
There is also an exhibition focusing on the fight against segregation, which discusses the era from end of Reconstruction through the Civil Rights Movement. Here, visitors see such things as abolitionist Harriet Tubman’s hymn book to a dress Rosa Parks was making shortly before she was arrested for not giving up her seat on a segregated bus; a Tuskegee airplane used to train African-American pilots for World War II flights; a segregated Pullman train car as well as a stool from the Woolworth store where there were sit-ins in Greensboro, North Carolina, in 1960; and separate water fountains.
A separate section examines the Civil Rights Movement, the Black Power era of the 1960s and 1970s and other activism remembering many activists, including Lewis and Dr. Martin Luther King.
The museum holds more than 3,000 artifacts — with many contributed from ordinary Americans from across the country. There are also tens of thousands of other artifacts which have been contributed which could be rotated later into exhibition space.
There are also many iconic items celebrating the achievements in sports, music, television and film including Michael Jackson’s fedora hat worn during his 1984 “Victory Tour,” boxer Muhammad Ali’s headgear, musician Chuck Berry’s Cadillac, baseball star Jackie Robinson’s bat, some of Olympian Gabby Douglas’ items as well as a statue honoring American athletes who held their hands up as a demonstration of solidarity during the 1968 Gold Medal ceremony.
Obama featured
One exhibit honors the legacy of Obama’s election. During an interview airing Friday, he voiced his appreciation for all of those whose work helped make the museum happen.
“We were an outgrowth of Frederick Douglass and white abolitionists who partnered with him,” Obama told ABC News. “We were the consequence of these Freedom Riders. Of all races. Young people idealistically coming down here and being willing to challenge an unjust system.”
Also interesting is the design of the building. Sitting next to the Washington Monument on the National Mall, the exterior is made up of 3,600 bronze-colored panels. The architects of the building drew on imagery from both African and American history for the outer layer, saying they were trying to reach towards the sky to express faith, hope and resiliency. The building is three-tiered and is inspired by a traditional wooden column that features a crown or corona — or African headdress — at the top.
At night, the corona glows from the light within the building.
